If we weren't in a belt-tightening phase right now, I might never have discovered the fun side of the barter economy. In this case, getting free admission to Monday night's opening of Cat on a Hot Tin Roof at Boxcar Theatre. Adrienne responded to a call for an usher & concession person and we were the only takers.
I discovered that it was more fun to be part of the crew than to be part of the audience. Before the show I stuffed programs, swept the street outside the theatre (in a grungy area South of Market, but this time grungy and dusty because of heavy construction right outside the door), rolled out the red carpet (more like mats, but they were red) and made conversation with patrons while they waited for the doors to open.
It is a tiny theatre (seating for 50, arranged on four sides of the stage, with seat numbers coded by compass direction). For example, N-A-1 indicated North, first row, first seat on one end or the other. I tried to explain the compass-based seating system as people trooped through the door, but it was a casual crowd, and they seemed confident they could find their seats.
Adrienne's job was to dispense food and drink, which on this night included Hard Lemonade, shots of whiskey, and Stellaaaaaaa Artois in honor of the heavy drinking that seems to feature in all the Tennessee Williams plays. Boxcar is doing a three-play TN series. We will also be working/seeing A Streetcar Named Desire next month.
But enough about our performance. The actors also did a great job. The show was 90 minutes without intermission, so the director must have done some artful cutting. This was opening night, so there were many critics in the audience. Adrienne noticed that one of the critics (sitting in the front row) slept through some of the explosive scenes, but you can't fault the actors or director for that. Could have been the generous drinks Adrienne was pouring at the concession stand!